Amanda Dziedzic and Laurel Kohut, co-founders of HotHaus and HausLights, share the lessons and legacy behind their colour-led glass-blowing studio.
LifestyleInside HotHaus
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24 March 2026
HotHaus has developed a distinct design identity over time. How has that creative direction evolved, and what influences are informing your work today?
We started our studio under the ethos of, Good Design, Good Glass, Good Times. We pour all of us into our studio, we work incredibly hard and we wanted it to really reflect a studio that we love. Our guiding principle from the very beginning has been colour and this is still very true for us today. We live and breathe it into all our pieces, I think we are now known for our approach to colour. We don’t shy away from it! Our creative direction and driving force have remained the same: we love what we do and are dedicated to preserving the art of glassblowing in a contemporary environment.
How do you balance precision with creativity when crafting your pieces?
I think this kind of work can only come from experience. Both Laurel and I have over two decades of experience working in glass. Glass blowing takes time to develop skill and language in the material. It is only really when you are comfortable with your skills in the material that you can start to let the material influence your craft. You need to be able to learn how to read the material, recognise the heat, then you can start to work harmoniously with the material, rather than struggle against it.
How do you think about colour as a design tool, and how does it inform the emotions or atmosphere of a piece?
Colour plays a central role in our practice as makers, artists, and craftspeople. It has the power to shift mood and shape atmosphere, so we consider it carefully when designing new work. With our latest “Urchin” light for HausLights, we wanted to evoke warmth, comfort, and a sense of refined style. We developed a considered palette that feels welcoming and works effortlessly in most interiors. The result is a versatile, elegant piece—equally at home in residential or commercial settings—with a subtle nod to mid-century modern design.
Reflecting on your journey since launching HotHaus, what have been the most meaningful lessons along the way?
One of the most meaningful lessons since launching HotHaus has been recognising the depth of our connection to community through glass. Welcoming people into the studio for classes has been incredibly rewarding, and the generous feedback on our HausLights range has reinforced how much joy and value our work can bring to others.
What legacy do you hope HotHaus will build within the design community and among those who collect your work?
Looking ahead, we hope HotHaus is remembered for creating work with integrity, intention, and genuine craftsmanship. We want our pieces to feel timeless objects that people live with, cherish, and pass on. Just as importantly, we hope our studio continues to foster community, sharing the joy of glassmaking with those who create alongside us and those who collect our work. We hope our legacy will be one of creativity, warmth, and a lasting contribution to Australia’s design culture.
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