In Conversation with Telha Clarke

When you think about “interesting architecture” today, what is the common thread?
The common thread would be experiences: buildings that offer a framework for unique experiences to take place. They contain spaces that incorporate movement and life beyond traditional static arrangements. Buildings that challenge us, make us question our place, and stimulate engagement and curiosity are particularly interesting.
Reflection, shadow and light have long been design elements tested and experimented with in architecture. Today, “interesting architecture” goes beyond pushing the boundaries of how architecture makes us feel; it asks us to be mindful of where we are.

A recent project that genuinely changed your mind about what buildings can do, and why —
The contemporary art gallery ‘Fondation Cartier’ in Paris, which opened in October, is described by the architect Jean Nouvel as: “its purpose is to disorient, to offer a fresh perspective…”. It features five enormous moving floors that effortlessly rise and descend through the building. These new elements are contained within the 19th-century ‘Grands Magasins du Louvre’ building, and the addition provides a striking contrast to the traditional exterior. The potential for constant variation of a building’s interior at this scale is remarkable.

Which materials — and assemblies — are being used in unexpectedly modern ways?
We are seeing unique results from combining natural and recycled materials with existing and new components. These products are becoming more sophisticated; as quality improves and local availability increases, they will become mainstream. Of particular interest to us now is the development of self-healing concrete, which has embedded properties that allow it to repair and seal itself.

What does Australia do uniquely well on the world stage, and where could we be braver?
In Australia, we often deliver the finest contextual responses — climate-prepared, well-grounded designs that are identifiable as Australian. However, we could go further; we should be braver in embracing our varied Australian landscape, continuing to focus on localism and our links to history and place.

What design practices will still feel interesting, intelligent and climate-fit 50 years from now?
Focusing on long-lasting buildings that are climate-ready and allow user control of sun shading, air quality, integrated landscaping and water use will best prepare us for future climate extremes.

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